명상도서관
Thinking, Critique, Mindfulness: Further Thoughts on What Poets Do
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- 자료유형학술지논문
- 저자명Disney, D.
- 학회/출판사/기관명TAYLOR AND FRANCIS
- 출판년도2014
- 언어영어
- 학술지명/학위논문주기New Writing
- 발행사항Vol.11No.3[2014]_x000D_
- ISBN/ISSN1479-0726
- 소개/요약What is the thinking that poetry does? In his essay, ‘The origin of the work of art’, Martin Heidegger proposes a distinction between two poetic modes – Dichtung and Poesie – in which the former is an extra-linguistic framing essence which makes Poesie, the manifestation of poetry in language, possible. In another essay, ‘What are poets for?’ the philosopher claims technology creates a fissure of forgetfulness between selves and contexts, and that ‘To be a poet in a destitute time means: to attend, singing, to the trace of the fugitive gods’. This ficto-critical paper – written after the experience of a week's vipassanā meditation – reads Robert Hass' poem ‘Meditation at Lagunitas’ as a text that aims for chthonic reconnection between objects, experience, and language. In speculating that processes of active and non-linguistic practice are generative and humanising, this paper re-reads meditation as a mode of gnostic self-extinction (after Eliot) which can enable access to intuitive zones (Heidegger's Dichtung), and which situates ‘an understanding of reality that transcends ordinary comprehension’.
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